12.29.2012

5 Tracks: A Deeper Look at Kanye West



By Spence Blazak

When Kanye West is name dropped, many things come to mind aside from the Louis Vuitton Don's stellar music catalogue. Through a decade of scummy hijinx and a Biblical sized level of superficiality, Yeezy has successfully ostracized himself from an enormous amount of music listeners worldwide. The casual fan might have seen his "Imma let you all finish" stunt with Mrs. Spence at the VMAs, heard "N**** in Paris," then moved on with their music exploration, but this is an artist so special that he is well worth a second chance. Dive deeper into his songbook with these five cuts and you're opinion might make a 180. 

-Technically it was a hit, but Kanye’s first single didn’t achieve the legendary status of “Gold Digger.” When Kanye was still just a producer, he got in a horrifying car accident that almost killed him. When he woke up, his jaw had to be completely reconstructed, but aside from that he was surprisingly unscathed. He rapped this track with his jaw still wired shut, which changed his flow and voice completely. One of his most memorable lines is “I drink a Boost for breakfast and Ensure for dessert/ Somebody ordered pancakes/ I just sip the sizzurp.”

-No matter how many ridiculously judgmental tweets Kanye makes, he will always have this beautiful ode to his mama. In the first verse, Kanye reflects on his mom working hard to support him as a child, and the world turning its back on her. Her boyfriend has cheated on her and flown the coop, leaving her in tears. Little Kanye starts to cry as well, then sings: “As we knelt on the kitchen floor, I said mommy I’m a love you til you don’t hurt no more/ And when I’m older you ain’t gotta work no more.” The song can melt the iciest of hearts. No matter how many times the man tweets pictures of hookers that look like a Kardashian, he’ll always have this as a saving grace.

-Yeezy’s prototypical “carpe diem”/ “shit, I’m getting older” cut is one of his more mellow songs. Compared to hard-hitting tracks like “Breath in, Breath Out,” this one is snowflake-like in delivery. The song shows a Kanye unstuck in time: reflecting on his past, analyzing his present, and wishing that he had a better memory or that he could just capture moments in life a little better. Amidst this struggle, he tries to gain better appreciation for things as they happen. A nice spin on an age old realization of life. A far cry from “Drunk and Hot Girls.”

-Backed up by Bon Iver, Kanye created this anthem to end his earth-shattering album “My Beautiful Dark Twisted Fantasy.” Madness, existentialism, and catchy chaos all make up Kanye’s most epic track. Yeezy ponders heaven, death, life, and everything in between in the cut, which alone can be enough to sway your opinion of him.

-Featuring John Mayer, this is one of Kanye’s catchiest tracks to date. It is also one of his best-kept secrets, having only been released on the Japan edition of “Graduation.” Kanye finds himself in a conflicted relationship where he “loves you, hates you at the very same time.” The song’s setting shows him flip flopping back and forth in his feelings, set to an old school Nintendo-esque sample. “I been thinking and it got me back to sinking/ and this relationship it even got me back to drinking/ all this Hennessy/ Its gonna be the death of me.” Pure gold. 

12.11.2012

Top Albums/Songs of 2012



By Spence Blazak

The only reason I made this list is to spread the word of music that doesn't suck (except for the Waka Flocka song....that sucks). Please click on the links and to give a few things a try. Hey....you never know what you'll find. Except with Waka Flocka....you will get exactly what you expect there.

            -Best Song that is actually pretty good, but mostly won me on the title
-Best Shit Party Song
            -Best Jack White Song
            -Best Obligatory Taylor Swift Song
            -Best “Man…..high school love hurts so good” Song
            -Best Rap Song That Is Funny But Takes Itself Kinda Seriously And Is By a White Hipster D00d
            -Best “Life: Hark! Existence’s Ficklest Mistress!” Song
            -Best All Around Rap Song
            -Second Best Gut Wrenching, Yearnful Song
            -Best Gut Wrenching, Yearnful Song
            -Best Pining for Lost Love/Bonus Song

Honorable Mention
“Spiderman Swag”-Dave Piccolella
            -Best Song

Top Albums of the Year

10. “The Heist”-Macklemore & Ryan Lewis
            -Hipster white guy rap with catchy hooks, and a lyrical tone/content somewhere in between Bo Burnham and the Beastie Boys.

9. “14:59”-Sugar Ray
            -Best Album of 2012 of 1999.

8. “The Hobbit Soundtrack”
            -Masters the art of returning to the style of the “Lord of the Rings” soundtrack while creating something new, along with the perfect level of hat tipping to the original. A clinic in balanced nostalgia.

7. “Gossamer”-Passion Pit
            -Their first album “Manners” made me think how good P.P. would be if they took a few music classes or went under the tutelage of someone in the genre to buff out their dents. On “Gossamer,” they took my advice. The right amount of electronic pop-iness to appeal to both hardcore fans and soft white kids who want something easy to listen to while they play FIFA (…..me).

6. “Handwritten”-Gaslight Anthem
            -Less Springsteen-y than their last few albums, G.A. comes into their own with catchiness, a subdued punk sound, middle-class “working stiff” centric lyrics, and a likability factor that will pull you in like a lovelorn octopus.

5. “Colourmeinkindness”-Basement
            -UK rockers with influences from grunge and the English rock scene, Basement creates a cohesive album that weaves in and out of each song with finesse. Can’t recommend this one enough, here is the album’s song that I gave #3 song of theyear honors.

4. “Babel”-Mumford and Sons
            - Banjo picking, soaring vocals, and a godly command over “LEGGOOOOOOO” tempo puts the band at the forefront of the English Pop-Folk scene.

3. “Floral Green”-Title Fight
            -Post-hardcore, aka all the good parts of the genre made for a softie like me. Lyrical wisdom is accompanied by hard hitting riffs, but the album’s softer songs like “Head in the Ceiling Fan” and “Lefty” really set it apart.

2. “Good Kid/m.a.a.d. City”-Kendrick Lamar
            -A rap album to bring this mixed up rap world into a synchronicity. Flow, beats, and lyrical depth are all there. Kendrick raps a conversation with his conscience at one point, and on the song “Peer Pressure,” humanizes the clichéd plights featured in terrible rap songs. One for the ages.

1. TIE “Please Remain Calm”-Hostage Calm AND 
“RED”-TAYLOR SWIFT
       -Almost every song could make a case for the album’s best, which is a rare occurrence. Just have a listen for yourself to "On Both Eyes" and "Don't Die on Me Now"

-Taylor Swift…..it just goes without saying.


Honorable Mentions
“Blunderbuss”-Jack White
“Crazysexycool”-TLC
“Channel Orange”-Frank Ocean
“The Carpenter”-The Avett Brothers


12.07.2012

The 5 Best Men to Direct the New Star Wars Trilogy



By Spence Blazak

Since the announcement that Lucasfilm has been sold to Disney and a new “Star Wars" trilogy is in the works, there have been many speculations about who will helm this new expanse of movies. The stakes are high, with the movies destined to either be famous or infamous. Internet articles upon articles have speculated about how J. J. Abrams or Quentin Tarantino could do a great job giving a fresh take to the material, long past anyone giving a damn. This pish-posh will not stand. Wookiee Wednesday knows that the humble folk of the internet aren’t interested in this balderdash but instead want some suggestions to sink their teeth into. W.W. is here to show some real off-the-beaten-path men for the job, as well as what would happen to the series with them at the helm. Get ready for all hullaballoo to be silenced.

Judd Appatow
-Just imagine, the wizard behind such 2000’s comedic classics as “Knocked Up,” “The 40-Year-Old Virgin,” and “Anchorman” now has the expanse of the “Star Wars” universe in the palm of his raunchy hand. On Chewbacca’s home planet of Kashyyyk, the wookiee wonder is having a tough time coping with suburbia after the Galactic Civil War. He has settled down, is mending his relationship with his teenage son, and spicing things up with his wife, who is insecure about her age (as well as the curliness of he body fur). He tries to juggle all of these things, as well as his relationship with best friend Han Solo. While in the midst of all this, his son tries to get the furriest female wookiee in the village to be his date to senior prom. Hilarity (and a plethora of fur ball jokes) ensues.

Pedro Almodovar 
-The director that has portrayed some of the most reasonable feminist motifs in the last forty years, and now here he is with Jar Jar Binks in his hands. Imagine a whole trilogy centered around the Gungans, Binks’ people, and their trials and tribulations of trying to be respected by the citizens of the galaxy. In true Almodovar fashion, everything will be in Spanish.

Woody Allen
-The king of neuroses, Allen would set his trilogy in a futuristic New York City. The main characters would be completely new: just a couple of bourgeois, working stiffs trying to make their way in this futuristic world. Allen would then have an intern point out to him that this idea was just a mixture of “Sleeper” and “Futurama,” so the films would be thrown into production limbo for another decade.

Spike Lee
-A pioneer in the voice of the black community on film, Lee would tackle a lot in his trilogy which would be centered on an aged Lando Calrissian (now played by Denzel Washington). One movie could deal with the fact that there are almost no other African Americans in the films, and another might just be a direct remake of Lee’s classic “He Got Game,” but with zero gravity basketball.

Stephen Soderbergh
-A Sheryl Crowe soundtrack, shaky cam tracking shots, and a surprise Jude Law performance would fill the trilogy if the Dalai Lama of Indie Drama was hired for the job. The plot would be centered on a single bill trying to get passed in the Galactic Senate. Even though critics and average-joes alike universally panned the Senate scenes of “Attack of the Clones”, Soderbergh would take this as a challenge to focus solely on them and make them sublime. The majority of filmgoers wouldn’t last through the first hour, which would include a 15-minute monologue from a Womp rat farmer who wants just subsidiary compensation for his lost acres of Jundland Waste from the Civil War.