
Hi there. I'm Spence. Long time no see. How're the kids?.....sorry to hear that. Well anyway, on my humble blog you will find reviews/discussions of movies, music, television, sports and any media you can think of. Please give me feedback and enjoy my frequent guest writers. And by enjoy, I mean tolerate.
11.16.2011
Drake Grows a Pair: "Take Care" Album Review

11.15.2011
BREAKING NEWS: “The Harp Is Still Cool!”- Florence Welch

By Peter Long
For the better part of five years the music charts have been dominated by what I like to call glam rap (you know, Soulja Boy, Wacka Flocka Flame, remember Hurricane Chris?), a genre that is simply a pulpit for artists to display their excesses and fame.
So when Florence and the Machine’s debut Lungs dropped in 2009, it was more than just a breath of fresh air (or a new set of LUNGS, AM I RIGHT?!?!?!). It was an album that eased into a modern day renaissance of talented female artists and made playing the harp cool for the first time since the 1700’s.
The group’s new LP Ceremonials picked up where Lungs left off. The record starts off with the joyful stomp of “Only If for a Night” where Florence Welch wails the words with her Joni Mitchell falsetto. From there on it’s all raw emotion, powerful baroque-pop blended with tales of loss, learning to cope with personal issues and the eventual release of all that bad energy.
One of those songs that deal with release is “Shake it Out,” a track that touches upon many of the themes of Springsteen but when it’s all stripped away it’s the Ceremonials equivalent of “Dog Days Are Over”. The narrator talks about all of the burden that she had been dealing with and in one night, all of that grief will be put to rest, “I’m always dragging that horse around…tonight I’m going to bury that horse in the ground.”
“Breaking Down”, quite possibly the simplest song on the album when it comes to instrumentation and arrangements, is definitely the best. It’s contradictive with the bright strings, keyboard riff and somber undertones but it single-handedly balances a record that was hinging on the brink of being over indulgent when it comes to majestic ballads and tribal dance-floor beats. It’s very impressive to see that Welch and company can pull a tune like this out of their repertoire.
“Lover to Lover” sounds almost identical to Marvin Gaye’s classic “Heard it Through the Grapevine” but that just demonstrates the R&B and soul influence that resonates throughout the album and the band as a whole.
Ditto with “Heartlines” but in the case of African rhythms. Ceremonials justifies the fact that the rhythm section is almost as important to Florence and the Machine as the string section is and their presence will be integral to their progression as a band.
Ceremonials is the almost-perfect follow up to Lungs so F&TM is most certainly not the victim of the sophomore slump. Welch is on the verge of becoming a master lyricist and song-writer and when that day comes, her band will become a force to be reckoned with.
They find that blend of Brit-pop, Portishead and Adele and make it their own. Altogether Ceremonials is a solid effort, but give them a couple more shots to create something really great and spectacular.
Final Verdict: Buy the album. Every song is good.
11.11.2011
11 Reasons Why Duke Is Worse Than Famine

11.09.2011
Softknock: Wookiee Football Season Finale

11.02.2011
50/50: Review (And a Discussion of the Genre Sad-Coms)

10.31.2011
Your Fake Study Abroad T-Shirt and You: How to Pretend You Are Cool

By Chris Hubbard
They say it is the one experience in college you will carry with you for the rest of your life, even into your late thirties: that when you go over seas, your life will never be the same, and that everyone should experience a semester abroad. To leave your country behind for half a year you would receive the opportunity of a lifetime in some exotic and beautiful country, life long friends (unless you smell weird or something,) and a receiving a free t-shirt that says, “I Studied Abroad,” in the mail a few weeks later. Or you could sit on the couch, watch Spaced and play Mass Effect 2 for eight weeks, lose life long friends (unless you have Xbox Live,) and have a free t-shirt that says, “I Studied Abroad,” accidentally mailed to you. Should the later happen, you coooooould send it back with a correction letter, yada yada. BUT FREE T-SHIRT! Besides, the shirt works just as well as the expensive trip. I found it’s not actually going that matters at all, but the fact that other people think you went that is the key.
“You went abroad? Where did you go?”
“Oh, I went to Africa.” The faces really light up when you say Africa more so than a lot of other places I’ve found (people seem less interested in Europe these days, don’t ask me why, but I’m assuming its because the squirrels are red over there). Maybe it is because Africa is so exotic to Americans. It might as well be Mars to most people. So to go there and come back in one piece makes you a folk hero for some reason.
“Africa! Really? That’s amazing? Where in Africa?” Okay, so here is the toughest part of the conversation so far. It’s not that it’s necessarily hard to answer, it’s just important because it sets the tone for the rest of the conversation. To say you went to Egypt is to end up in a lesson on monuments. “What are the pyramids like, what about the sphinx, did you see King Tut?” To say South Africa is a lecture on apartheid waiting to happen. Plus, now it’s up to you to give an update on the political progress of an entire nation. You have to be careful with people who know their stuff too. What if you give a country in civil war, and the person you’re talking to calls you out on it? Now you’re screwed before you really even started. I generally stick to saying Kenya, it’s familiar enough that people recognize the name, but they typically know nothing about it.
“Kenya! Wow, that’s amazing. What was it like over there?” This is where a well selected country really pays off. I can literally say anything I want to so long as it vaguely fits a person’s preconception of Africa, and pushing these boundaries is particularly entertaining. The crazier you get with the stories, the better as far, as I’m concerned. I once told a woman that we rode cheetahs from city to city.
“Doesn’t that hurt the animals?”
“Hurt them? They don’t even feel us on their backs! They’re pretty much the only means of transportation over there.”
“That’s remarkable! What’s it like riding one?”
“Oh, it’s the only way to travel as far as I’m concerned. I’m thinking of trading my car in for a Mufasa soon actually.”
“Wasn’t Mufasa the name of a character from the Lion King?”
“Yeah, but where do you think the name comes from? It’s a breed of Cheetah in Kenya.”
I’ve found that as the years pass, I can sometimes get away with more and more outrageous statements so long as I can write it off as being a product of the times. Things change over the years and not everyone remembers what things were like in Africa in nineteen eighty-whatever.
“The elephants were so tiny they could fit in our pockets.”
“But aren’t elephants humongous?”
“Well, today they are! What with the internet and all of that cancer going around, but back then it was different.”
Obviously if you’re going to go this far, you have to make sure you’re never going to see this person again. You can’t just tell your grandfather all about cheetah races and giraffe stampedes because he’s more than likely going to tell someone who actually knows something all about it, and then soon he’s coming back to curse you out. Save the outlandish stuff for the casual stranger, they usually won’t remember too much about the conversation anyway. Pretty much anyone in line at the bank, or at the laundromat, or on the subway is fair game as far as I’m concerned.
“You studied abroad? You know, I’ve studied abroad… or two. (pause for laughter)”
But the laughter never comes. If anyone, for any reason cracks this joke at you, and they will, be it while you are wearing the shirt or otherwise, you have a few options.
1) You can run away. It’s not cowardice; I’ve done it lots of times. Don’t even respond, just run. You’ll never see them again, I promise. Sometimes it’s really the best way of dealing with a jokester who has no idea what’s funny and what’s just plain stupid. Look, everyone who’s ever made this joke has on some level, thought they were being original, which means that they are obviously slow and won’t catch up if you decide the bus station a few blocks away is a better place be standing.
2) If you know the person, then all the easier to deal with. You don’t have to go anywhere or say anything, just turn and look then straight in the eyes… and slap them. Make it a hard slap, but don’t knock any teeth out or anything crazy. Just a good smack to the face. They won’t say it again, whether they are now crying, or trying like crazy to kick the shit out of you.
3) If you don’t know the person and you don’t feel like running, you can stand up and confront the problem head on if you’re in the mood.
“You sir, are the reason why this country is the most hated nation in the world, and I weep for the generations to come that will have to pay for your ignorant remarks here today.”
I usually point and turn up my nose when I say this too. It’s the best way to get out of any confrontation when it comes to your I Studied Abroad T-shirt. The reason it’s so effective is because it puts you in the driver seat. You’re taking the wind out of their sails quickly. I make sure to be loud enough so others can hear me too. That way I come across as the cultured one, and the people around us chime in on my side.
“You’re just embarrassing all of us. Why don’t you go back to your cave, you Neanderthal!?”
I’ve seen it turn even the most confident of wisecrackers into defeated creatures, running with their tail between their legs to get away from the scene of their embarrassment, which can only add to the satisfaction of wearing a Study Abroad Shirt…while having never studied abroad.
Above all, it’s important to remember that this Study Abroad Shirt is not a toy. It’s a serious conversation starter, and nine times out of ten, you will end up talking to someone about it. It’s better to have a plan. No one likes looking like an idiot, especially when you’re thirty eight and you’re still wearing clothes from your college years.
Spence’s note: Another way to deal with a jokester is by doing it the way that someone who I hold near and dear to me dealt with a similar situation two years ago: a random parent on a Rider tour. For those of you who don’t know, Wookiee Wednesday contributor Brian Long used to be a tour guide at Rider University. Bored with the monotony of the tour life, that clever bugger Brian decided one day to start his tour off with a new line: “Hey ladies and gentlemen! Welcome to Rider! Now, I know what you’re thinking…. ‘Rider?.....I DON'T EVEN KNOW HER!!!!’”
Someone immediately filed a complaint.
The lesson here is that when you are in doubt, blame it on Brian and get your satisfaction from knowing he got yelled at.
10.12.2011
Ides of March: Review

By Spence Blazak
Disclaimer: This is a modification of my review for The Daily Targum coming out on October 13th. It is like the one in there, except in this one I added in a few swear words and the word leopard. Enjoy!
Phillip Seymour Hoffman looks more and more like my Pop with each passing role. His one sentence review of the movie was "P.S.H. played a great D. Blazak!" I digress. Ides of March just might have the best cast of any movie in recent memory, and this is why it hurts a little more that it doesn’t live up to its talent factor. Its good, but it just isn’t as good as it could have been. If you hear that your brunch is going to be cooked by Bobby Flay, Cat Cora, Ina Garten, and Mario Batali (…….no….no….. I never watch Food Network…..), then you just receive Nutella-covered garlic crackers, it is disappointing regardless of Nutella’s hazelnutty goodness*.
Governor Mike Morris (George Clooney) is campaigning for the Democratic Party’s Presidential bid. The climactic battle has come down to Ohio. Our main character is Stephen Myers (Ryan Gosling), the charming, second in command on the Morris campaign who has the power to make every female intern within a 2-mile radius take her top off and purr like a snow leopard whenever he pouts his marble chiseled lips.
Stephen is a valuable piece in the game of the Primary for both sides. The only way Paul (Phillip Seymour Hoffman), the head manager of Morris campaign, could be trying to hold onto him any harder is if he was SITTING ON HIM!(count it!). Meanwhile the rival campaign manager (Paul Giamatti), is trying to use Jedi mind tricks to win the beautiful Stephen over to his side.
Cover ups ensue, politics corrupt the incorruptible, illegitimate children abound, and dark glances are shot at enemies and friends alike. Ides of March’s greatest triumph lies in the performances of its cast. Presidential candidates pitch the same platforms every four years, but for some reason, people keep coming back and getting enchanted all over again. Clooney recognizes this and plays such a good candidate that the audience is practically handing him a blank check for a campaign contribution after the first debate.
Hoffman and Giamatti are, in my opinion, the two best actors in Hollywood today, and they lose themselves in their performances, making you wish they had even more screen time. Hoffman gives a one-two punch to the world of cinema that began with his tough-as-nails performance in Moneyball from two weeks ago, while Giamatti finishes off possibly the best year of his career that included two perfect performances in Win Win and Barney’s Version as well as one of the funniest things on recent television when he guest starred in an episode of 30 Rock as a pony tailed-footage editor who “went to hockey camp and became a Confederate Civil War re-enactor to meet women.” Marissa Tomei also appears as a New York Times reporter who brilliantly captures the d-bag, two toned personality you need to get a real story.
As for Gosling, he has begun to shape a career that is looking very similar to Leonardo DiCaprio’s. Ever since The Notebook, Gosling has slowly been building up more credibility for his actual acting chops rather than just his good looks. DiCaprio almost quit acting after Titanic, but then he earned respectability with performances like Howard Hughes in The Aviator and Billy Costigan in The Departed. Along with Drive and Crazy Stupid Love, Gosling has also had an excellent year featuring three well crafted performances, and his work here makes me very curious as to what else he has up his sleeve aside from his godly canon of an arm. Wookiee Wednesday contributor Brian dared me to write that. Pay up, buddy.
The movie is also the latest entry into the “Clooney-noir” genre, where George Clooney puts his hand into every aspect of the movie. While it is respectable to love ones work that much, the directing comes off as a little bit “blah” and the script’s wittiness just winds up falling flat a lot of the time. Brian put it best by saying “he is like a kid in school who sucks at drawing, but no one can tell him because he is the President’s son.” Even in his “masterpiece” Good Night and Good Luck the shot composition is its major flaw, but it is well covered by how cool cigarette smoke looks in black and white.
All in all, Ides of March is good, but it is just missing….something. The underlying theme appears to be not much more than how politics can change a person seemingly made of unbendable metal, as well as the horrible price of getting ahead in the world. Think of it as a Thanksgiving turkey. It looks great, but the stuffing is made out of a balled up copy of The Trentonian.
If All The President’s Men is a 4 star political movie, and Swing Vote is a 1 star example, Ides has the scale just barely tip in its favor to come in at 3 stars.
*this might be very presumptuous of me that it would have “hazelnutty goodness” because I’m allergic to hazelnuts and have never had them for fear of a VERY sore throat.